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This is a list of the annual meeting locations, themes, and student papers from the Association of North American Graduate Programs in the Conservation of Cultural Property (ANAGPIC). *1974, The Corning Museum of Glass :November 11–15, 1974 ''Conservation Seminar on Glass and Library Materials'' *1976, Art Conservation Department, Winterthur-University of Delaware :April 19–21, 1976 ''Outdoor Metal Sculpture and Conservation of Textiles'' *1977, Art Conservation Department, Queen's University at Kingston :May 9–11, 1977 ''Ethnographic Conservation'' *1978, Cooperstown Graduate Program, State University College at Oneonta :April 10–12, 1978 ''Problems in the Preservation of Paper'' *1979, Center for Conservation and Technical Studies, Harvard University :April 30-May 2, 1979 ''Interaction Between Curator and Conservator'' *1980, Art Conservation Department, Winterthur-University of Delaware :April 28–29, 1980 ''History of Artists' Techniques'' *1981, Conservation Center, Institute of Fine Arts, New York University :March 26–27, 1981 ''The Construction of the House: An Overture'' *1982, Art Conservation Department, Queen's University :May 5–7, 1982 ''Paper and Archival Conservation in Canada and The Federal and Provincial Presence in Canadian Conservation'' *1983, Art Conservation Department, Buffalo State College :May 1–3, 1983 ''Careers in Conservation'' *1984, Center for Conservation and Technical Studies, Harvard University :May 2–4, 1984 ''History and Future Directions of Conservation Training in North America'' *1985, Art Conservation Department, Winterthur-University of Delaware :May 2–3, 1985 ''The Conservation of Contemporary Art'' *1986, Conservation Center, Institute of Fine Arts New York University with the Conservation Education Program, School of Library Service, Columbia University :April 30-May 2, 1986 ''Environment and Collections: Extrinsic Conservation Strategies'' *1987, Art Conservation Program, Queen's University at Kingston :May 6–8, 1987 ''Conservation Management'' *1988, Art Conservation Department, Buffalo State College :May 4–6, 1988 ''Coping with Disaster: The Conservator's Role'' *1989, Center for Conservation and Technical Studies, Harvard University :April 28–29, 1989 ''Ethics in Conservation'' *1990, Art Conservation Department, Winterthur-University of Delaware :April 26–28, 1990 ''Beyond Fine Art: The Preservation of Large and Varied Collections'' *1991, Conservation Center, Institute of Fine Arts, New York University :April 25–27, 1991 ''The Price of Preservation: Our Access to Egypt's Past'' *1992, Art Conservation Program, Queen's University at Kingston :May 7–9, 1992 ''First Peoples' Art and Artifacts: Heritage and Conservation Issues'' *1993, Art Conservation Department, Buffalo State College :April 15–17, 1993 ''The Conservation of the Photographic Image'' *1994, Furniture Conservation Training Program, Smithsonian Center for Materials Research and Education :April 21–23, 1994 ''Using and Preserving Research Collections'' *1995, Art Conservation Department, Winterthur-University of Delaware :April 20–22, 1995 ''Preventive Conservation and Exhibits: Management Strategies'' *1996, Straus Center for Conservation, Harvard University :April 18–20, 1996 ''Conservation Laboratory Design and Renovation'' *1997, Conservation Center, Institute of Fine Arts, New York University :April 24–26, 1997 ''Preserving the Library'' *1998, Art Conservation Program, Queen's University at Kingston :May 1–2, 1998 ''Research the Object: The Evidence'' *1999, Art Conservation Department, Buffalo State College :April 22–24, 1999 ''The Past as Prologue: Conservation Tomorrow'' *2000, Smithsonian's Museum Conservation Institute :April 27–29, 2000 ::The student papers〔(ANAGPIC 2000 )〕 below were presented on April 28, 2000 at the S. Dillon Ripley Center of the Smithsonian Institution. :: *Jon Brandon, Smithsonian Center, ''The Specialized Framing Technology in the Undercarriage of Preindustrial American Windsor Chairs'' :: *Betsy Geiser, Buffalo State College, ''Barbie's Great-Great Grandmother: A Study of the Manufacture and Materials of Queen Anne Style Dolls'' :: *Scott Gerson, Heather Hendry, and Bonnie MacLean, Queen's University, ''10,000 Fragments: Piecing Together a 19th-Century Wall Map'' :: *Meghan Goldman, New York University, ''Examination of Early Andy Warhol Hand-Colored Lithographs'' :: *Dulce Maria Grimaldi, Queen's University, ''New Research on the Technique of the Mural Paintings at Templo Mayor Archaeological Site of the Aztecs'' :: *Jennifer Hain, University of Texas at Austin, ''Collections Conservation in a Natural History Museum Library: Preserving Oversized Journals'' :: *Tara Kennedy, University of Texas at Austin, ''Spectrofluorometric Examination of Ball Point Inks - A Preliminary Analytical Study'' :: *Molly McNamara, Harvard University, ''Technical Examination of Ancient Greek Helmets in the Harvard University of Art Museums'' :: *Holly Salmon, Winterthur-University of Delaware, ''Samurai Kote: Research and Treatment of Flood Damaged Armor Sleeves'' :: *Sandra Sardjono, New York University, ''Detection of Hidden Infestation by Fourier Transform Infrared Spectroscopy (FTIR)'' :: *Sara Shpargel, Buffalo State College, ''Photo Buttons on the Mend'' :: *Ellen D. Tully, Winterthur-University of Delaware, ''Your Objects Don't Dance and Your Paintings Don't Rock and Roll: Storage Solutions for Earthquake Prone Areas'' :: *Friederike Zimmern, Harvard University, ''Kandinsky's Winter Landscape: A Question of Authenticity'' *2001, Art Conservation Department, Winterthur-University of Delaware :April 19–21, 2001 *2002, Straus Center for Conservation and Technical Studies, Harvard University :April 18–20, 2002 ::The student papers below were presented on April 18–20, 2002 at the Straus Center for Conservation and Technical Studies, Harvard University.〔Association of North American Graduate Programs in Conservation., & Harvard University. (2002). Twenty-eighth annual ANAGPIC student conference: April 18-20, 2002. Cambridge, Mass: Straus Center for Conservation, Harvard University Art Museums.〕 :: *Tatiana Bareis, Winterthur-University of Delaware, ''Maxfield Parrish’s Mural for Granogue: An Exploration of the History, Materials, Technique, and Conservation'' :: *Kate Smith Maurer, Harvard University, ''A Study of George Inness’s Underdrawing'' :: *Geneviève Saulnier, Queen’s University, ''Cleaning Unvarnished Acrylic Emulsion Films Using Dry Clenaing Methods'' :: *Nora Lockshin, University of Texas at Austin, ''Schnitzelbank – A Case Study of Deteriorating Cellulose Acetate in Books'' :: *Kristi Dahm, New York University, ''A Technical Study of Seven 15th Century Italian Metalpoint Drawings: Techniques for Metalpoint Identification and Implications for Attribution Studies'' :: *Sarah Reidell, University of Texas at Austin, ''Testing Texas History: The José Enrique de la Peña Diary'' :: *Amy Jones, Harvard University, ''Establishing the Restoration History of Harvard’s Marble Statue of a Young Boy Running'' :: *Éowynn Kerr, Buffalo State College, ''The Not So Secret Formulas of Jacques Maroger: An Inve4stigation of the Manufacture and use of Maroger Mediums'' :: *Cheryl Podsiki, Queen’s University and Iris Koch, Ellen Lee, Chris Ollsen, Kenneth Reimer, Environmental Sciences Group, Royal Military College of Canada, Kingston, Ontario, Canada, ''Pesticide Contaminated Artifacts and the Conservator'' :: *Sarah Barack and Beth Edelstein, New York University, ''Conservation of Decorative Plasterwork at the Merchant’s House Museum, New York City'' :: *Judy L. Dion, Winterthur-University of Delaware, ''The Treatment, Examination, and History of a 19th Century Painted Leather Fire Bucket from Portsmouth, New Hampshire'' :: *Emily O'Brien, Buffalo State College, ''The Examination and treatment of a Painted Gilt Leather Folding Screen'' *2003, Conservation Center, Institute of Fine Arts, New York University :April 24–26, 2003 *2004, Art Conservation Department, Queen's University at Kingston *2005, Art Conservation Department, Buffalo State College ::The student papers below were presented.〔(ANAGPIC Student Papers, 2005 )〕 :: *Brian Baade and Natasha Loeblich, Winterthur-University of Delaware, ''Collaborative Efforts for Paint Analysis: Two Opportunities for Technical Examination of Major Works in Tandem With Outside Institutions'' :: *Katherine Beaty, Buffalo State College, ''21st- Century Remedies to 19th- Century Repairs of an 18th- Century Turkish Koran'' :: *Kim Cullen Cobb, Queen’s University, ''Charred Wood Consolidated with Thermoplastic Resins'' :: *Susan Costello, Harvard University, ''An Investigation of Early Chinese Bronze Mirrors at The Harvard University Art Museums'' :: *Corey D’Augustine, New York University, ''Drill Team: Vaseline, Hair, and Paperclips'' :: *Bart Devolder, Harvard University, ''Two 15th- c. Italian Paintings on Fine-Weave Supports and Their Relationship to Netherlandish Canvas Painting'' :: *Angela Elliott, Buffalo State College, ''A Comparative Study of Basket Cleaning Methods Including Nd:YAG Lasers'' :: *Maria Gonzalez, University of Texas at Austin, ''Revealing Networks: A Case Study of Disaster Response and Recuperation'' :: *Dana Melchar, Winterthur-University of Delaware, ''Investigation of a High Chest and Dressing Table, en suite'' :: *Holly Robertson, University of Texas at Austin, ''An Exploration of Non-adhesive Binding Structures Found in the Archives at Vilassar de Dalt'' :: *David Turnbull, Queen’s University, ''Fishing for Answers: Dorothy Cameron’s “The Lost Goddess”'' :: *Gawain Weaver, New York University, ''Capital Portraits: Conservation of the Topley Studio Index'' *2006, Art Conservation Department, Winterthur-University of Delaware ::The student papers below were presented.〔(ANAGPIC Student Papers, 2006 )〕 :: *Tish Brewer, University of Texas at Austin, ''The Nature of Forgeries: Iron Gall Ink and Paper Aging in Relation to Forged Historical Documents - An Independent Study'' :: *Rebecca Capua, New York University, ''Materials and Techniques of George Grosz: American Watercolors'' :: *Catherine Coueignoux, Winterthur-University of Delaware, ''An Exploration of Surface: Deciphering the History and Meaning of the Winterthur Peter Stretch Clock's Finish'' :: *Amy Crist, Buffalo State College, ''An Investigation of the Characteristics, Compositions, and Identification Methods of Wax Crayons and Colored Pencils, Including a Case Study of a Drawing by Roberto Matta'' :: *Matt Cushman, Winterthur-University of Delaware, ''A New Method for the Treatment of Iron-Stained Architectural Marble: in situ reduction of iron(III) using photovoltaic polymers and the introduction of a new chelating agent for conservation'' :: *Lindsay Haynes, Queen's University, ''An Investigation into the Materials, Structure and Degradation Behavior of Portraits by William Sawyer'' :: *Jo-Fan Huang, Harvard University, ''A Technical Examination of 7 Thai Manuscripts in the 18th, 19th, and 20th Centuries'' :: *Sandra Kelberlau, Harvard University, ''How One Landscape-Painter Paints: The Technique of Sanford Robinson Gifford'' :: *Mary Oey, New York University, ''Some Problems in Musical Instrument Conservation in Museum Collections'' :: *Sara Ribbans, Queen's University, ''Past Practices Causing Modern Problems: The Conservation of Three Jules Cheret Posters'' :: *Dana K. Senge, Buffalo State College, ''Analysis and Treatment of a Chinese Ceramic Mortuary Figure'' :: *Jim Thurn, University of Texas at Austin, ''Research on Methods to Remove Mold from Cellulose Acetate Audiotape'' *2007, Straus Center for Conservation and Technical Studies, Harvard University ::The student papers below were presented.〔(ANAGPIC Student Papers, 2007 )〕 :: *Snowden Becker, University of Texas at Austin, ''See No Evil, Hear No Evil: Audiovisual Evidence, Forensics, and Preservation in Law Enforcement'' :: *Morwenna Blewett, Harvard University, ''A Puzzle to the Critics: The Technical Analysis and Treatment of a 16th Century Panel Painting of Possible French Origin'' :: *Marie-Catherine Cyr, Queen's University, ''Conservation Issues: The Case of Time-Based Media Installations'' :: *Alisa Eagleston, New York University, ''The Conservation of a Baining Headdress'' :: *Anne R. Grady, Buffalo State College, ''Technical Examination and Treatment of an African Sword'' :: *Amber Kerr-Allison, Winterthur-University of Delaware, ''Outdoor Public Murals: Materials, Advocacy and Conservation'' :: *Jennifer Kim, New York University, ''Jaime Davidovich's Foam TV: An Interplay of Research, Interview, and Discussion to Determine Appropriate Treatment Avenues and the Acceptability of Replication'' :: *Crystal Maitland, Queen's University, ''Where Archival and Fine Art Conservation Meet: Antioxidant and Deacidification Treatments of Corrosive Copper Watercolours Associated with Iron Gall Ink in Works of Art on Paper'' :: *Samantha Sheesley, Buffalo State College, ''Artist Interviews as a Tool for Diligent Conservation Practice'' :: *Theresa Smith, Harvard University, ''Bleaching and Color Reversion in Ingres Drawings at the Fogg Museum'' :: *Samantha Springer, Winterthur-University of Delaware, ''An Examination of Alterations to Mississippian Period Native Copper Artifacts from the Collection of the National Museum of the American Indian'' *2008, Conservation Center of the Institute of Fine Arts, New York University ::The student papers below were presented.〔(ANAGPIC Student Papers, 2008 )〕 :: *Aimee Ducey, New York University, ''Conservation of Installation Art: Joseph Beuys's Aus Berlin: Neues vom Kojoten'' :: *Lisa Duncan and Jessica Keister, Winterthur-University of Delaware, ''In Pursuit of Reality: A Technical Study of 2 Obscure Photographic Processes of the 19th Century'' :: *Fletcher Durant, University of Texas at Austin, ''Revisiting the (Recent) History of Publishers’ Bindings as Artifacts'' :: *Jocelyn Evans, Harvard University, ''Sacrifice of Isaac by Antonio di Donnino del Mazziere: Technical Analysis and Conservation Treatment'' :: *Erin Gordon, Queen's University, ''Comparing Paper Extract to Traditional Toning Materials'' :: *Ainslie Harrison, Queen's University, ''The Effects of Butvar B-98 on Bronze'' :: *Elizabeth Homberger, Buffalo State College, ''Contextualizing the Nontangible: The Research and Treatment of a Collection of African Medicine'' :: *Tara Hornung, Anna Serotta, and Diana Johnson, New York University, ''The Challenge of Attribution: Technical Examination of a Bronze Ding'' :: *Sharon Norquest, Winterthur-University of Delaware, ''Preventing Poultice Problems: A Study of Ceramic Stain Reduction'' *2009, Art Conservation Department, Buffalo State College ::The student papers below were presented.〔(ANAGPIC Student Papers, 2009 )〕 :: *Sharra Grow, Winterthur-University of Delaware, ''When New and Improved Becomes Outdated and Degraded: The Technical Study and Treatment of a 1964 Pop Art Painted Collage'' :: *Lauren Anne Horelick, University of California, Los Angeles/Getty, ''The Occurrence and Detection of Gunpowder in Haitian Vodou Charms; The Pakèt Kongo'' :: *Eliza Spaulding, New York University, ''Evolving Authenticity in Henri Matisse's The Swimming Pool'' :: *Marie Stewart, Winterthur-University of Delaware, ''The Investigation and Treatment of a Javanese Shadow Puppet from the University of Pennsylvania Museum of Archaeology and Anthropology'' *2010, Art Conservation Department, Queen's University at Kingston ::The student papers below were presented.〔(ANAGPIC Student Papers, 2010 )〕 :: *Nicole Ledoux, University of California, Los Angeles/Getty, ''Treatment and Technical Study of a Lakota Beaded Hide'' :: *Meaghan Monaghan, Queen's University, ''Effects of Concentration and Artificial Ageing on the Strength and Reversibility of Dynamic® 208 Wallcovering Adhesive'' :: *Cindy Lee Scott, Elizabeth Drolet, and Rita Blaik, University of California, Los Angeles/Getty and Department of Materials Science and Engineering at the University of California, Los Angeles, ''The Chemical Characterization and Removal of Lac Dye Staining on White-Ground Ceramics'' *2011, Art Conservation Department, Winterthur-University of Delaware :April 14–16, 2011 ::The student papers below were presented April 15, 2011. :: *Elizabeth Drolet, University of California, Los Angeles/Getty, ''Time, Erosion and Earthen Architecture: Documenting the Effectiveness of Protective Shelters for Mud-Brick Structures'' :: *Amber Harwood, Queen's University, ''Analysis of the Physical Characteristics of Transparent Cellulosic Nanofiber Paper''〔(MAC Newsletter 2011-2012 )〕 :: *Hai-Yen Nguyen, Queen's University, ''Low-Flux Neutron and Megavoltage Gamma Computed Tomography for the Non-Destructive Imaging for Archaeology and Art Conservation''〔 :: *Robin O'Hern, University of California, Los Angeles/Getty, ''On the Surface: A Cultural and Scientific Analysis of the Applied Surface from Two West African Komo Masks'' *2012, Conservation Center of the Institute of Fine Arts, New York University :April 12–14, 2012 ::The student papers below were presented April 13, 2012 in the Gilder Lehrman Hall auditorium. :: *Kristin Bradley and Sophie Scully, New York University, ''Preserving a Palimpsest: The History and Treatment of the Saletta delle Rovine''〔(NYU Newsgram, Issue 18, July 2012 )〕 :: *Margaret Wessling, New York University, ''Characterizing United Press International’s Unifax Facsimile Prints''〔 *2013, University of California, Los Angeles/ Getty :April 25–27, 2013 ''L-A-NAGPIC 2013'' ::The student papers below were presented〔(ANAGPIC Student Papers, 2013 )〕 April 26, 2013 at the Getty Center. :: *Dina Anchin, Straus Center for Conservation and Technical Studies, ''Refining Style: Technical Investigation of an Early Work by Georges Pierre Seurat in the Maurice Wertheim Collection'' :: *Annika Finne, New York University, ''Flora or Folly? Assessing the Risks of Plant-Based Art'' :: *Jessica Ford and Courtney Von Stein Murray, Winterthur-University of Delaware, ''Arabian Knights: Conserving a 1953 Pinball Back Glass'' :: *Ashley Freeman, Michael Doutre, George Bevan, and Alison Murray, Queen's University, ''Craquelure Documentation and Analysis: A Preliminary Process Using Reflectance Transformation Imaging and ImageJ'' :: *Tessa Gadomski, Winterthur-University of Delaware, ''The Miscellaneous Works of Charles Barrell'' :: *Sonia Kata, Queen's University, ''Chitosan as a Consolidant for Fragile Silk'' :: *Caitlin Mahony, University of California, Los Angeles/Getty, ''Mending Leather and Quillwork on a Native American Vest: The Challenges and Achievements'' :: *Casey Mallinckrodt, University of California, Los Angeles/Getty, ''This Old Foot: Technical Analysis of a Ptolemaic Child Sarcophagus to Identify Structural Components Repurposed from Other Ancient Coffins'' :: *Harry Metcalf, Straus Center for Conservation and Technical Studies, ''Corita Kent: A Technical Study of a Group of Screen Prints'' :: *Laura Neufeld, Buffalo State College, ''Problem Children: Technical Analysis and Conservation Treatment of Two Works on Paper by Karel Appel'' :: *Fran Ritchie, Buffalo State College, ''The Investigation and Conservation Treatment of a Mounted Juvenile Orangutan'' *2014, Art Conservation Department, Buffalo State College :April 10–13, 2014 ''Extreme Conservation'' ::The student papers below were presented〔(ANAGPIC Meeting 2014 )〕 April 11, 2014. :: *Megan Salazar-Walsh, Buffalo State College, ''Learning from The Governess: The treatment and technical study of a Chardin replica'' :: *Georgina Rayner, Harvard University, ''Elemental identification of pigments used in traditional bark paintings in the Northern Territory'' :: *Claire Curran, Winterthur-University of Delaware, ''Conserving the Contemporary: A look into the challenges of conserving cuttlefish bone and egg'' :: *Kari Rayner, New York University, ''Cast in Flames: A Finish Analysis of Robert Chanler’s Whitney Studio Fireplace'' :: *Alexis North, University of California, Los Angeles, ''Analysis and Conservation of a Pair of Cherokee Black-dyed Buckskin Moccasins: Preliminary Results'' :: *Erin Kraus, Queen's University, ''Comparison of the Preparation of Klucel G Pre-made Mending Tissue Using Isopropanol and Ethanol and Three Methods of Reactivation'' :: *Melissa Swanson, Columbia University, ''The Performance of Consolidants of Three North American Sandstones'' :: *Kevin Wohlgemuth, University of Pennsylvania, ''Revisiting Gordion’s Pebble Mosaic Pavement: Recent research, analysis and testing'' :: *Aaron Burgess, Buffalo State College, ''Shattered Earth: The Treatment of an Illuminated Art Deco Clock and Globe'' :: *Shannon Brogdon-Grantham and Michelle Sullivan, Winterthur-University of Delaware, ''New Approaches to Cleaning Works on Paper and Photographic Materials'' :: *Betsy Burr, University of California, Los Angeles, ''Chemical Analysis of Archaeological Peruvian Textiles'' :: *Stephanie Barnes, Queen's University, ''Severe Delamination in Nu Féminin (1967) by Montreal Artist Jori Smith: A Case Study'' :: *Eve Mayberger, New York University, ''Radiography & Replication as Investigative Tools for Conservation Research: The Dummy Mummy Project'' :: *Nicole Ledoux, Harvard University, ''Delaying the Inevitable: An Investigation of Plastic Deterioration in Joseph Beuys Multiples'' ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「List of ANAGPIC meetings」の詳細全文を読む スポンサード リンク
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